Age of Apocalypse

by Paul Pratt on January 21, 2012

AoA#1

Age of Apocalypse Issue #1: Boring characters are go!

Hey Mom,

Marvel has been touting its new Age of Apocalypse on-going series coming in March. The most recent reincarnation of this classic X-Men story was born from the pages of Uncanny X-Force’s Dark Angel mini-series. This is what we call a “back-door pilot” in the television industry. I can’t say I’m thrilled about any of this. I know that the Age of Apocalypse isn’t Watchmen or some incredible piece of work that could be considered high art, but it was the height of the 1990’s X-Men and did change the landscape of the franchise forever.

I feel that the Age of Apocalypse was the ending of one era and the beginning of another. In the final issues of the books leading into the Age of Apocalypse, we slowly watched the m-kraan crystal creep in on the last page and finally, in the last panel, consume all. The statement was powerful. After the story, we got the Sugar-Man and Dark Beast. The statement was eye rolling. Arguably The Age of Apocalypse led the X-Men into wholesale bullshit territory and into the still persisting and unnecessary layering of complicated continuity upon the corpses of retcons, reboots, and disregard for any groundwork laid within the thirty years previous. However you personally felt the impact of the story, it left its mark for better or for worse.

X-Men: Alpha, The Age of Joe Madureira

The story was epic and wholly unique. We got to see radically different personas of our favorite characters fleshed out in interesting ways. Those characters were shaped by different circumstances in their universe and the choices they made following their origins reflected those experiences. Heroes were now villains and villains were now heroes. Characters we hadn’t seen in ages were now regular members of the team. Others were simply gone and never mentioned or possibly were alluded to have already been killed, possibly never even born. The story, whether you loved or hated the idea, was fleshed out well. I felt that the universe The Age of Apocalypse resided in was a living, breathing, and parallel world to the Marvel Universe we all loved.

Alternate universe stories are special because they are strictly finite. This is the fundamental flaw in bringing back the Age of Apocalypse as a recurring series. We love these alternate worlds so much because they are shrouded in mystery and ripe with drama. The mirror universe episodes of Star Trek for example are some of the most haunting because we don’t ever see the entire picture. We are dropped in the middle of a conflict and we have to sort it out for ourselves. We never get all the pieces.

X-force19.1

The comic from whence it came! For some reason Weapon X/ Wolverine is now evil... FFS...

The entire situation is unknown to us; we didn’t grow with these same characters for thirty years, but there was just enough information to flesh out the spaces we had to venture in to. The mystery of what lay beyond though, pulled us in and intrigued us to no end. We salivated to know more, but that air of mystery is what keeps the nostalgia of the story strong in our hearts. Marvel cheapens the impact the original story had on us so many years ago by revisiting the well so many times over the years. If they cop out and just make a series discussing every aspect of the universe it becomes commonplace, stale, and, ultimately, unappealing. The universe looses its allure, and that has a direct impact on the drama that unfolds within the story.

Comic book style retconning removes the emotional meaning in the character’s original sacrifices. The X-Men in the Age of Apocalypse literally sacrificed everything in the end because, back when the original stories ran, the arc had an ending. There was no reason to keep the characters hanging on through a series of convenient plot devices that allowed them to live. A lot of characters that we loved actually died, permanently too! They died with the belief that their actions could return the world to the way it used to be. That small glimmer of hope kept them fighting until annihilation.

Because Marvel relies on these franchises to pay for their existence (which, ironically produces very little “new” content, in turn creating a system that exclusively exists to sustain itself) they can’t kill characters in any permanent way to prevent readers from souring on the book. In comics today those semi-permanent deaths can be turned into marketable and profitable events only a few years later. Rather than simply come up with an original title, rather than take a real risk, Marvel has tapped a beloved story once again to wring the money out of it, unfortunately they’ll also wring the life out of it.

Me In A Nutshell

by Paul Pratt on January 12, 2012

Hey Mom,

A new year is upon us and with it comes everyone’s resolutions. The New Year is a time for new beginnings, an opportunity to restart one’s life and be reborn, in a way, as the person you’ve always wanted to become. Some may want to loose weight or quit smoking, others may want to volunteer more or spend more time with their families. We all have something that we personally aspire to everyday; there is someone buried deep within us all that we desperately want to be, a better version of ourselves. For most, this is what a new year symbolizes.

This year I’ll be going back to school. Not necessarily as a resolution. I never planned it that way, but the fact I start school next week for the spring semester only a few weeks after the New Year is very symbolic. I’ve gone to school before, feeling aimless, but I really feel like this is going to be the start of something fresh and new.

When I went to school several years ago I was pursuing degrees in political science and history. I love history in particular. Although I do enjoy politics to some extent, the political science degree was simply a necessity to joining the military. I wanted to answer the call of duty I felt within me. I felt it very strongly. I lost fifty pounds and immersed myself in everything militaria. I really thought life had brought me to that point, but after a couple of years I was simply burnt out. I had no long-term passion for joining the military. In the end, it’s just not who I am. If I had to, I believe I could do it, but I had a choice.

Back then, I really wanted to write. I struggled with this idea for a long time. Do I go to school to write? That seemed silly to me. I had been writing for seven or eight years at that point. Although I had things to learn, I picked up most of the foundational skills I was lacking by going through my college English classes, I didn’t really feel I was going to learn much about crafting stories at a state university, so I simply stopped going and dedicated myself to writing.

Years have gone by and I’ve desperately tried to “get something going” with screenwriting. I write all day most of the time, but all these scripts I have just go into a large box in my office. I have no further outlets. I’ve tried to pursue getting an agent, but this is simply a pipe dream living in Illinois. I’m to far away to meet people and network. I’ve tried running my own Kickstarter campaign, but I couldn’t make the goal. I’ve tried putting my screenplays on this website but stopped when I realized I simply don’t get enough traffic. Out of six thousand views in the last handful of months only two people looked at my portfolio. So screenwriting isn’t going to pay the bills for me at this juncture.

I tried to think about what would be the best medium to pursue. I’m a creative guy and a storyteller. I tried my hand at writing a novel, and although that isn’t terrible I would like to see the action rather than simply describe it. I’m a filmmaker at heart, so the medium must be visual. After weighing all the options I found myself going back to my roots, back to comic books and conceptual art in video games.

This simply isn’t about me writing a comic book, that is the easy part. Screenplays can easily be transformed into comic books with little effort. I need a way for me to not only write the books, but also produce them by myself. Self-publish if need be. I don’t have a lot of interaction with people being a jobless, stay-at-home father as my day job, so I have to be able to produce a finished project without help from an outside artist. I need to get back to what I wanted to do when I was a kid: drawing comics.

I haven’t drawn on a regular basis since high school. After I discovered film, to me, there was no reason to even need comics anymore. But, that was my ignorance. With comics you are completely unhindered in your storytelling ability. Without budget constraints your character can go anywhere and do anything. The story is only limited by your imagination, that is only if you can get yourself an artist or you, yourself, are an artist. There are really no barriers anymore, not even genre.

I believe I’m a good writer, but in comics story is a distant second to the art. Even thought the book can’t exist without a story, art is the deciding factor for most comic books. Obviously, comics are a visual medium like film, so without the art the story is simply words in a script, the lazy mans novel. The comic industry knows this and, like the entire film industry, is built up around what’s “in front of the camera.”

So, to facilitate my foray into the comic book medium as both scribe and illustrator I need to get my long neglected drawing skills back up to par, hence going back to school. I don’t expect school will turn me into a master artist; this is a community college not the Rhode Island School of Design or anything remotely similar. I’m just hoping to get the foundation skills I lost and gain some sort of mastery of the principles of design and drawing. I plan to exhaust my class options in the art department. Design, drawing, figure drawing, studios, if they have it, I’m taking it.

Furthermore, I’m hoping after my drawing skills are up to a professional level I can get into conceptual design with a video game studio, or a television or film production company. I don’t expect comics to be a full-time job and I would really like to have one of those for my own personal sense of fulfillment. I’m a dedicated worker and I want to build a career I can be proud of. Maybe with my writing background I can work my way from the bottom of the art department into writing or development.

I have a lot of ideas, and I’m desperate to work with others. I want to be part of a team that creates works that make people feel something. Until I do that, I can’t rest.